Professor J. Michael Walton

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J. Michael Walton

www.jmichaelwalton.com


 
Books
 
Euripides Our Contemporary (2009). London: Methuen Drama (A & C Black);  Los Angeles: University of California Press.
 
                  EuripBookJpgConvert.jpg (46064 bytes)
 
The Cambridge Companion to Greek and Roman Theatre (ed. with Marianne McDonald, 2007). Introduction, pp 1-12;  Chapter 15  'Commodity: Asking the Wrong Questions', pp. 286-302.  Cambridge: Cambridge University Press.
   
Found in Translation: Greek Drama in English (2006, pb. 2009). Cambridge: Cambridge University Press. 
 
Amid Our Troubles: Irish Versions of Greek Tragedy (ed. with M. McDonald, 2002). Opening chapter 'Hit or Myth: the Greeks and Irish Drama', pp. 3-34. London: Methuen Drama.
 
Menander and the Making of Comedy (with Peter D. Arnott, 1996). Westport: Greenwood. 
 
Living Greek Theatre: A Handbook of Classical Performance and Modern Production (1987). Westport: Greenwood;   trans into Greek by Katarina Arvaniti and Vicky Mandeli (2007) as To Archaio Elleniko Theatro epi Skene. Athens: Hellenika Grammata.

The Greek Sense of Theatre: Tragedy Reviewed (1984). London: Methuen; 2nd ed (1996), Amsterdam: Harwood.
 
Craig on Theatre (ed. 1983, 1991, 1999). London: Methuen Drama.
 
Greek Theatre Practice. Westport: Greenwood (1980); pb. rev.(1991), London: Methuen Drama.
 
 
Published Translations
  
Aeschylus Oresteia (with M. McDonald, 2007). London: Nick Hern Books.
  
Sophocles Electra (with M. McDonald, 2004). London: Nick Hern Books.
 
Euripides Electra (with M. McDonald, 2004). London: Nick Hern Books.
 
Euripides Andromache (with M. McDonald, 2001). London: Nick Hern Books.
 
Euripides Medea: a student edition (2002, 2006). London: Methuen Drama.
 
Four Roman Comedies (ed. and trans. Terence Brothers, 2003). London: Methuen Drama.
 
Six Greek Tragedies, (jnt. ed. and 2 translations, Sophocles Women of Trachis and Euripides Bacchae, 2002). London:  Methuen Drama.
      
Six Greek Comedies (ed. and 3 translations, Euripides Cyclops and Alkestis, Menander The Woman from  Samos, 2002) London: Methuen Drama. 
 
Methuen Classical Greek Plays in 13 volumes (1988-2001). Editor, introductions and sometime translator of:
           Sophocles. Women of Trachis
           Euripides. Alcestis, Bacchae, Cyclops, Medea, Rhesus 
           Menander. The Malcontent, The Woman from Samos

London: Methuen  Drama 1988-2001.
                 Aeschylus (2 volumes)
                 Sophocles (2 volumes)
                 Euripides (6 volumes)
                 Aristophanes (2/3 volumes)
                 Menander (part-volume)

 
Chapters  in Books
 
' "An Agreeable Innovation": Play and Translation' in A. Lianeri and V.D. Zajko (eds.), Translation and the Classic, Oxford: Oxford University Press, 2008, pp. 189-206.

' "Enough Give In It": Translating the Classical Play' in Hardwick, L and C. Stray ((eds.), The Blackwell Companion to Classical Receptions, Oxford: Blackwell, 2008, pp. 153-67.

'Time-Travelling in Theatre History' in Ioannides, G., Stephanos: Essays for Walter Puchner, Athens: University of Athens, 2007, pp.209-216. 
   
' "Good Manners, Decorum and the Public Peace": Greek Drama and the Censor' in  Billiani (F. (ed.), Modes of Censorship and Translation: National Contexts and Diverse Media, Manchester: St Jerome Press, 2007, pp. 143-66.
 
'Translation or Transubstantiation' in Macintosh, F., P. Michelakis, E. Hall and O. Taplin (eds.), Agamemnon in Performance 458 BC to AD 2000, Oxford: Oxford University Press, 2005, pp. 189-206.
 
'Outside Looking In: Subversive Choruses in Greek Tragedy' in Dillon, J. and S. Wilmer (eds.), Rebel Women: Staging Ancient Greek Drama Today, London: Methuen Drama, 2005, pp. 193-214.
 
'Craig, la quête de l’impossible synthèse' in Banu, Georges (ed.), Les Cités du Théâtre D’Art de Stanislavski à Strehler, Paris: éditions Théâtrales, 2000, pp. 230-41.
 
' "A Divinity which Shapes our Ends": Greek Comedy in a Secular Age', in Levy, S. (ed.), Theatre and Holy Script, Brighton: Sussex Academic Press, 1999, pp. 140-8.
 
'Essence or Perception: Greek Drama for a New Century', in Patsalidis, S. and E. Sakellaridou (eds.), (Dis)Placing Classical Greek Theatre, Thessaloniki: University Studio Press, 1999, pp. 329-39.

Foreword to Olga Taxidou, The Mask: A Periodical Performance by Edward Gordon Craig, Amsterdam: Harwood Academic, 1998, pp. XIII-XV.


Articles in journals
 
'Vacuum or Agenda: The Translator’s Dilemma', Classical and Modern Literature, 27, 1, Spring 2007 (pub. 2008), pp. 93-120.

'The Word and the Take: Writing for the Mask', Didaskalia website, Vol. 7 issue 1, Winter 2007.
 
'Dionysus: The Victorian Outcast', Victorian Review, 34, 2, Fall 2008, pp. 185-99.

'Transfusion or Transgression'. Symposia Proceedings of the X and XI International Meetings on Ancient Greek Drama. Athens: The European Cultural Centre of Delphi, 2008, pp. 195-205.

'Deianira, the Poor Relation'. Symposia Proceedings of the XII International Meetings on Ancient Greek Drama. Athens: The European Cultural Centre of Delphi, 2008, pp. 357-366.
 
'Mushri, and the First English Oresteia', Arion, Fall, 14.2, 2006, pp. 49-67.

'The Line or the Gag: Translating Classical Comedy', Centre for Translation and Intercultural Studies: Occasional Papers, Vol. 3, pp. 29-46.
 
'Aristophanes and the Theatre of Burlesque', The Comparative Drama Conference Series Text and Presentation 2005, 2006, pp. 3-14.
 
'Comfortable Up Here: Comfortable Down There' (Anetos panta. opos edo ki ekai), Eighth International Symposium on Greek Drama, Nicosia: 2005, pp. 214-26  and 26-38.
 
‘Night Scenes: Sight and Blindness in Greek Drama’ (Nukterines Skenes: Orase kai Tuphlose sto Elleniko Drama), Sixth International  Symposium on Greek Drama, Nicosia: 2002, 230-5 and 64-71.

'A Response to Helene Foley’, Illinois Classical Studies, Vol XXVI,  2001, pp. 77-80.

'Playing in the Dark: Masks and Euripides' Rhesos, Helios, Vol 21, no. 2, (Fall 2000), pp. 137-147.
 
'Translation for Translocation' (Metaphrase gia Metatopise), Fifth International Symposium on Greek Drama, Nicosia: 1999, pp. 256-62  and 25-32.
 
'Realising Menander: Get-in at the Getty', Drama: Beiträge zum antiken Drama und seiner Rezeption, Band 5, 1997, pp. 171-191.

'Sophocles’ Electra: Actors in Space', Drama: Beiträge zum antiken Drama und seiner Rezeption, Band 4, 1996, pp. 41-48.
 
'Style and Music in Suddenly Last Summer', Studies in Theatre Production, No. 1 (1990): pp. 5-21.
 
'Chinese Street Theatre', Asian Theatre Bulletin in Theatre News, Vol. IX.8 (1977): pp. 12-14.

'Financial Arrangements for the Athenian Dramatic Festivals', Theatre Research International, Vol I.2, 1977, pp. 79-86.

'An Acting Tradition from Homer to Aeschylus', Theatre Research (Recherches Théâtrales), Vol. XII.1, 1972, pp. 7-28.

   
Contributor to    
 
The Oxford Encyclopedia of Theatre and Performance.
The International Dictionary of Theatre.
The International Dictionary of Opera.
The Fontana Biographical Companion to Modern Thought.
The World Encyclopaedia of Dance.
The Oxford Book of Plays (Classical Editor).

Book Reviews for
   
Classical Review
Drama: Beiträge zum antiken Drama und seiner Rezeption
Journal of Hellenic Studies
Theatre Notebook
Theatre Quarterly
Theatre Research
Theatre Research International
The Times Higher Education Supplement

 
Unpublished
 
Translations
Plautus: The Comedy of Terrors or Menaechmi Behaving Badly
 
with M. McDonald:
Euripides:
     Helen
     Heracles
     Hippolytus
     Ion
     Iphigeneia Among the Taurians
     Orestes
Aristophanes:
     Frogs
Jean Anouilh:
     Oedipe ou le roi boiteux
 
Original Plays
 
HUAC and the Theatre (Documentary)
Helen (after Euripides)
The Parasite (from Mayakovsky's Klop)
Goldilocks
The Female of the Species
Routine Questioning
     
 
Recent Papers given:
 
2009    Delphi, European Cultural Centre, 'How Married is Medea?' 
2008    The Comparative Drama Conference, Los Angeles, ‘Coney - Catchers in Plautus’.
2007    Royal Holloway and King’s College, London, ‘The Word and the Take: Writing for  the Mask’.
2006    Delphi, European Cultural Centre, ‘The Military and Military Language in Rhesos’. Centre for Translation and Intercultural Studies, University of  Manchester '"Enough Give in It": Translating the Classical Play'.
2005    Northridge, CA, Comparative Drama, 'Aristophanes and the Theatre of Burlesque'.
            University of Athens, ‘Crisis: What Crisis?: Theatre and Theatre Studies in the
Twenty-first Century’.
2004    San Francisco, A.P.A. ‘New Stage Visions: Craig’s Classical Operas’.
            Delphi, European Cultural Centre.  ‘Deianira, the Poor Relation’.
            Cyprus, I.T.I, ' "Comfortable Up Here, Comfortable Down There": The Life of Sophocles'.
            Elefsina, DESMI, 'A Prop to our Infirmities: The Fallible Body in Sophocles'.
            Athens, I.T.I.  'Choosing a Hat'.
            Olivier Theatre, National Theatre of England 'Routine Business: Plautus in the
  Market-Place'.
2003   Keynote speech on Gordon Craig in the Pastmasters Series, The Centre for Performance Research, Aberystwyth, 'Gordon Craig and the Classical Revival'.
           Guest Lecture on 'Translating Comedy', The Centre for Translation and Intercultural Studies, University of Manchester.
           The Hellenic Society. 'From Attic to Best-Seller: Ancient Drama for the Audience of Today'.
           Getty Museum 'New Stage Visions: Edward Gordon Craig’s Classical Designs'.
2002    'Hats and Masks'. Plenary Lecture I.T.I., Athens; Amsterdam (I.F.T.R.).
1997-   Plenary, Keynote or Guest Lectures: Cyprus, Baton Rouge, Plovdiv, UCLA, UCSD, UC Riverside, Delphi, Epidaurus, University College  Dublin, Trinity Dublin, Cork, Oxford, Dallas, Paris, Thessaloniki, Lyon, Tel Aviv, Getty Museum, Athens, Elefsina, Canterbury, Manchester, Aberystwyth. APA (Panel organiser) at Dallas, San Diego, Philadelphia, New Orleans
.